Hot Game 2009

Gears of War’s cover system is getting a bit tired these days, so when I heard at E3 that Capcom’s upcoming shooter Dark Void lifts it, I had to stop myself from yawning. But then the developer giving the demo twisted the camera angle to reveal that we weren’t walking down some dark hallway blasting enemies — we were flying up the side of a tower, leaping from cover point to cover point courtesy of a veryRocketeer-ish jetpack.

Moments later, the protagonist leaped off the side of the tower, cutting a beeline toward a wildly maneuvering metal disc. Try as it might, the disc couldn’t get out of his path, and when he alighted on top of the frame, a familiar sequence of button presses popped up just as they might in God of War. Triangle, X, Square and the craft’s pilot had been beaten soundly and thrown from the disc — only to have his ride hijacked, Grand Theft Auto-style, by our hero. Three minutes of gameplay and Dark Void had cemented itself in my mind as the sleeper hit of 2009.

I’m sick of hanging out with Niko Bellic. I mean, I know he had a rough adolescence in Serbia and all, but that can only excuse so much murderous, sociopathic behavior. But man, oh man, I sure do miss kicking it in Liberty City. What a place! The sights, the sounds, the insane stunt jumps and plentiful rocket launchers! I’m itching for the chance to visit again, this time in the company of grizzled biker Johnny Klebitz.

The new Xbox 360 downloadable expansion to GTA IV offers a lengthy new narrative, and upgrades my favorite virtual metropolis with new weapons, missions, vehicles and multiplayer modes. What’s that you say? Klebitz is probably a murderous sociopath just like Niko? Yeah, well … as long as he doesn’t have an annoying cousin that’s always phoning him, I think I can put up with that

With a name like Killzone, you’d be forgiven for dismissing this first-person shooter as yet another hypermasculine, shades-of-gray gorefest. Don’t get me wrong — there’ll be plenty of blood sprays and vulgar übermenschen, but Guerrilla Games’ next stab at the good-guys-versus-space-Nazis formula promises to deliver much more.

The run-and-gun mantra of console shooters past has given way to a focus on tactical supremacy, with a snappy cover system giving you time to plan your next move. The slower pace should let us really appreciate the eerily hypnotic reloading animations and the stunningly realized crackle and pop of machine-gun fire. Right up until those brutally clever baddies either flank your position, or blow chunks out of whatever it is you were hiding behind. Good looks and brains to match. Where do I enlist?

We don’t know what it’ll look like, how it’ll play or even what it’ll be called. But Harmonix’s collaboration with The Beatles is the odds-on favorite to be the biggest thing to happen to videogames, and maybe even music, in 2009.

The creators of Guitar Hero and Rock Band have turned millions of gamers into faux rockers with plastic instruments, letting non-musicians experience the joy of jamming. And what better way to put on a show in your living room than with the legendary music of the greatest band of all time? Harmonix is forgoing Rock Band 3 this year to concentrate its efforts on re-creating the Fab Four’s music in interactive form. Even if this were just downloadable content for Rock Band, it would be one of the best things to happen this year. As a standalone game, it’ll be unstoppable. (As long as Harmonix includes an option to sing the entire B side of Abbey Road without stopping, I’ll be happy.)

Insomniac‘s sci-fi FPS Resistance: Fall of Man may have missed out on a couple of hard-fought nominations at last night’s BAFTA awards, but it can finally go to sleep at night with a clear conscience. The Church of England — after a long and tempestuous relationship — has at last deigned to publicly forgive Sony for turning the in-game representation of Manchester Cathedral into a digital

bloodbath.

The BBC reports the Very Reverend Rogers Govender, Dean of Manchester Cathedral, waited until Resistance had failed to clinch any BAFTA awards before issuing the benediction.

“I think some important lessons have been learnt,” spoke the Reverend. “So we do forgive Sony for what they have done, even though they still believe they have done nothing wrong. In an industry that is breaking new frontiers, it is important that long held traditions of film and television are maintained,” he said. “These traditions include having courtesy, respecting the dignity of your subject, and admitting when mistakes have been made. In so many ways Sony have failed to live up to these standards by disrespecting people of faith and the victims of gun crime here in Manchester.”

You might recall that Resistance (and Sony) drew harsh criticism from the Church of England after the company incorporated an extremely lifelike model of the real-world-and-currently-active cathedral into their level design. he Church, as it turns out, objects strongly to the irreverent use of holy ground as a staging place for virtual battles. Back in July, lawyers representing the Church actually went as far as sending a letter to Sony, demanding the company make a formal apology and pull the game from store shelves in the UK.

A few days later the Church upped the ante, requesting that Sony contribute a “substantial donation” to its coffers, to be used in furthering the church’s efforts at “resisting the culture of gun crime and other forms of violence in our society.”

For its part, Sony never openly acknowledged there is anything wrong with Machester Cathedral’s appearance in Resistence. The game remains on shelves in its original state, and the company never did get around to knuckling under to the Church’s legal threats or paying anybody for the privilege — though they have openly acknowledged the seriousness of the Church’s critique on multiple occasions.

Judging from the Reverend’s comments, it seems the Church may not have given up all hope on getting a formal apology out of Sony. Absolution, as the Reverend would no doubt remind us, requires both the act of confession and a sense of genuine repentance — neither of which seem forthcoming anytime soon.